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tradition-innovation · rosenberg1967-sound-to-style

Revision f37f5b16-77ab-44ea-b427-fae3c4d97a5d · 11/1/2026, 10:34:55 PM UTC
Claim ID
tradition-innovation
Assertion
Through conservative audiences and imitative newer bands, bluegrass came to stand for tradition, although the words "old-time" and "traditional" also describe a constantly changing commercial music. A successful bluegrass performance of a standard song keeps its traditional text and tune but adds a stylistic innovation; for example, the Osborne Brothers added a slow introduction in three-part harmony to the fast dance tune "Cripple Creek". Rosenberg calls this tension between conservatism and innovation a modern version of the folk performer's struggle to wed tradition and creativity, and a good example of tradition in mass culture, since the style was defined by its performers rather than its students.
Quote
Through the conservatism of audiences and the imitativeness of the neophyte bands, Bluegrass has come to stand for tradition-the authentic, old-time, country way. ... A successful Bluegrass performance of a standard song or folksong not only maintains a traditional text and tune of the song; it contains a stylistic innovation attractive to the audience. ... To the fast-paced instrumental they added a slow introduction sung in three part harmony, an innovation which contrasted with and emphasized the speed and brilliance of the instrumental section. ... Both musicians and audience are caught between the conservatism which gives the style unity and the innovation which makes it exciting. This tension is, in some ways, a modern version of the folk performer's eternal struggle to wed tradition and creativity. Because the style has been defined by its creators and performers rather than its students, it is a good example of the ways of tradition in mass culture.
Quote language
en
Locator
page: 148
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