CITATION — REFERENCE ENTRY
parallel-fifth-rule · pachet2001-harmonization-constraints
- Citation
- pachet2001-harmonization-constraints
- Claim ID
- parallel-fifth-rule
- Assertion
- Treatises on harmony do not all contain the same rules, but some basic rules, such as the parallel fifth rule, are considered valid throughout the evolution of tonal music. The rule states that if two notes of one chord form a fifth, the corresponding notes of the next chord should not also form a fifth; similar rules apply to octaves and unisons. Such rules mainly specify forbidden combinations of notes rather than a complete procedure for composing.
- Quote
First, all treatises on harmony do not contain exactly the same rules. In fact, rules have evolved along with music. However, a set of basic rules are considered valid throughout the evolution of tonal music, and therefore always included, such as the parallel fifth rule illustrated below. Second, these rules are not intended to constitute a fully specified algorithm for composing music. They are mainly specifications of forbidden combinations of notes ... This rule states that between two successive chords there should not be a parallel fifth. More precisely, if there is a fifth interval between any two notes of the first chord, then there should not be also a fifth between the two corresponding notes of the next chord. ... Other similar rules apply to parallel octaves or unison intervals.
- Quote language
- en
- Locator
- section: 1.1-1.2
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