CITATION — REFERENCE ENTRY
corpus-findings · moss2019-tonal-harmony-beethoven
- Citation
- moss2019-tonal-harmony-beethoven
- Claim ID
- corpus-findings
- Assertion
- Analysing the Annotated Beethoven Corpus, about 28,000 expert chord labels for Beethoven's string quartets, Moss and colleagues found that chord frequencies follow a power-law-like distribution in which a few chords make up much of the data. Tonic and dominant chords account for more than 60% of all chords in major-key passages and more than 50% in minor. They also found that chord transitions are directed in time, and that tonal harmony works differently at the levels of chords and keys.
- Quote
Using resampling methods, this study shows that 1) the rank-frequency distribution of chords resembles a power law, i.e. few chords govern a large proportion of the data; 2) chord transitions are referential and chord predictability is significantly affected by distinguished chord features; 3) tonal harmony conveys directedness in time; and 4) tonal harmony operates differently at the hierarchical levels of chords and keys. ... In particular, I , i , and V chords account for more than 60% of all chords in major, and more than 50% of all chords in minor, clearly demonstrating their primacy in tonal music which reflects the principle of centricity.
- Quote language
- en
- Locator
- section: Abstract; Results
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