CITATION — REFERENCE ENTRY

corpus-findings · moss2019-tonal-harmony-beethoven

Revision fc05212e-2251-4ba8-b6b3-72ddaa815e5b · 11/1/2026, 8:59:58 PM UTC
Claim ID
corpus-findings
Assertion
Analysing the Annotated Beethoven Corpus, about 28,000 expert chord labels for Beethoven's string quartets, Moss and colleagues found that chord frequencies follow a power-law-like distribution in which a few chords make up much of the data. Tonic and dominant chords account for more than 60% of all chords in major-key passages and more than 50% in minor. They also found that chord transitions are directed in time, and that tonal harmony works differently at the levels of chords and keys.
Quote
Using resampling methods, this study shows that 1) the rank-frequency distribution of chords resembles a power law, i.e. few chords govern a large proportion of the data; 2) chord transitions are referential and chord predictability is significantly affected by distinguished chord features; 3) tonal harmony conveys directedness in time; and 4) tonal harmony operates differently at the hierarchical levels of chords and keys. ... In particular, I , i , and V chords account for more than 60% of all chords in major, and more than 50% of all chords in minor, clearly demonstrating their primacy in tonal music which reflects the principle of centricity.
Quote language
en
Locator
section: Abstract; Results
Available in