CITATION — REFERENCE ENTRY
BeatNet+: Real-time rhythm analysis for diverse music audio — Transactions of the International Society for Music Information Retrieval
- Key
- heydari2024-beatnet-plus
- Authors
- Heydari, Mojtaba; Duan, Zhiyao
- Issued
- 2024
- Type
- article-journal
- Container
- Transactions of the International Society for Music Information Retrieval
- Volume
- 7
- Issue
- 1
- Pages
- 274-287
Raw CSL JSON
{
"DOI": "10.5334/tismir.198",
"URL": "https://transactions.ismir.net/articles/198",
"page": "274-287",
"type": "article-journal",
"issue": "1",
"title": "BeatNet+: Real-time rhythm analysis for diverse music audio",
"author": [
{
"given": "Mojtaba",
"family": "Heydari"
},
{
"given": "Zhiyao",
"family": "Duan"
}
],
"issued": {
"date-parts": [
[
2024
]
]
},
"volume": "7",
"container-title": "Transactions of the International Society for Music Information Retrieval"
}
Claims
-
Real-time rhythm analysis faces three challenges: accuracy without access to future input, low latency (especially on low-powered devices), and generalization to music without strong percussive components. BeatNet+ trains an auxiliary branch on versions of the same music without drums, so the main network learns a representation less dependent on percussion, and adds adaptation strategies for isolated singing voices and non-percussive music.
"Developing real‑time music rhythm analysis systems involves addressing three key challenges: The first challenge is maintaining high accuracy while not accessing future input data, as offline models do. The second challenge is achieving low latency, especially on low‑powered devices. [...] We argue that the third challenge is generalization to various kinds of music audio. [...] The main branch is fed with full music mixtures, while the auxiliary branch is fed with the full music of the same pieces less drum tracks [...]. Another innovation is on the adaptation strategies that help develop real‑time rhythm analysis models for challenging music scenarios, including isolated singing voices and non‑percussive music."
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