CITATION — REFERENCE ENTRY
Musical Source Separation: An Introduction — IEEE Signal Processing Magazine
- Key
- cano2019-source-separation
- Authors
- Cano, Estefanía; FitzGerald, Derry; Liutkus, Antoine; Plumbley, Mark D.; Stöter, Fabian-Robert
- Issued
- 2019-1
- Type
- article-journal
- Container
- IEEE Signal Processing Magazine
- Volume
- 36
- Issue
- 1
- Pages
- 31-40
Raw CSL JSON
{
"DOI": "10.1109/MSP.2018.2874719",
"page": "31-40",
"type": "article-journal",
"issue": "1",
"title": "Musical Source Separation: An Introduction",
"author": [
{
"given": "Estefanía",
"family": "Cano"
},
{
"given": "Derry",
"family": "FitzGerald"
},
{
"given": "Antoine",
"family": "Liutkus"
},
{
"given": "Mark D.",
"family": "Plumbley"
},
{
"given": "Fabian-Robert",
"family": "Stöter"
}
],
"issued": {
"date-parts": [
[
2019,
1
]
]
},
"volume": "36",
"container-title": "IEEE Signal Processing Magazine"
}
Claims
-
Access to separated stems enables remixing the balance of a recording (e.g., louder vocals, suppressing unwanted sounds), upmixing stereo to 5.1 surround, and changing an instrument's spatial location.
"Sometimes we might want to remix the balance within the music, perhaps to make the vocals louder or to suppress an unwanted sound, or we might want to upmix a two-channel stereo recording to a 5.1-channel surround sound system. We might also want to change the spatial location of a musical instrument within the mix. All of these applications are relatively straightforward, provided we have access to separate sound channels (stems) for each musical audio object."
Available in