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crooked-tunes · rockwell2011-crooked-road

Revision fa75a64a-005e-4e2e-9cd2-5b749c3fe886 · 11/1/2026, 10:34:56 PM UTC
Claim ID
crooked-tunes
Assertion
"Crooked tune" is a term used by bluegrass and old-time musicians for pieces, mainly fiddle tunes, that deny temporal regularity by having extra or missing beats. Ralph Stanley's banjo breakdown "Clinch Mountain Backstep" follows the typical bluegrass breakdown form of two repeated eight-bar strains (AABB), but its second strain contains an extra beat that defies the listener's expectation of a regular pulse. Rockwell theorizes crookedness as the disruption of an expected pulse layer.
Quote
The term “crooked tune” is in common use among current practitioners of bluegrass and old-time music, primarily with regard to fiddle repertoire that in some way denies temporal regularity ... For the most part, the piece contains the typical structure of a bluegrass breakdown or fiddle tune, in which two repeated 8-bar strains create an AABB form. The second strain, though, contains an extra beat ... Since this temporal discrepancy defies a listener's expectation of a regular half-note pulse, “Clinch Mountain Backstep” can be regarded as a “crooked tune.” ... This study conceives of a “crooked tune” as music that includes a disruption of an expected pulse layer.
Quote language
en
Locator
page: 56-58
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