CITATION — REFERENCE ENTRY
period-and-dimensions · moss2019-tonal-harmony-beethoven
- Citation
- moss2019-tonal-harmony-beethoven
- Claim ID
- period-and-dimensions
- Assertion
- Tonal harmony is commonly associated with the common-practice period, between the middle of the 17th century and the second half of the 19th, and its organizing principles remain prevalent in contemporary pop and film music. Moss and colleagues characterize it along four dimensions: centricity (a few central chords govern the harmonic lexicon), referentiality (chords are oriented toward reference points such as the tonic), directedness (a preference for asymmetric progressions) and hierarchy (chords nested within local keys, which are nested within a global key).
- Quote
Tonal harmony is commonly associated with the historical period between the middle of the 17th and the second half of the 19th century, the so-called common-practice period [ 14 , 25 ]. The organization principles of tonal harmony are still prevalent in contemporary Pop and film music [ 26 – 30 ]. Despite notable differences in the conception of tonal harmony, many theoretical treatises share the focus on a small number of central features [ 10 , 11 ], which are here subsumed under the dimensions of centricity , referentiality , directedness , and hierarchy .
- Quote language
- en
- Locator
- section: The notion of tonal harmony
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