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quartet-origins · garciacorona2023-close-harmony

Revision 3401d428-b786-4ff0-93fd-6b1077159271 · 11/1/2026, 10:29:09 PM UTC
Claim ID
quartet-origins
Assertion
Close-harmony vocal groups became a popular ensemble configuration at the turn of the twentieth century. African American quartets were well established by 1890 and provided models for white quartets; following Gage Averill, García Corona notes that nineteenth-century African American close-harmony ensembles transformed European close-harmony performance practice and style.
Quote
At the turn of the twentieth century, vocal groups featuring close harmonies emerged as a popular musical ensemble configuration. ... African American quartets were well established by 1890 and regularly headlined performances featuring close-harmony aesthetics, providing models for white quartets. As Gage Averill shows in Four Parts, No Waiting, African American close-harmony ensembles of the nineteenth century, both professional and amateur, transformed European close-harmony performance practice and style.
Quote language
en
Locator
page: 327
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