CITATION — REFERENCE ENTRY
downstroke-origins · conway-odell1998-black-banjo-songsters
- Claim ID
- downstroke-origins
- Assertion
- Africans brought the gourd ancestor of the banjo to the New World in the 17th century. Early accounts describe a three- or four-string gourd banjar with a skin head and a short thumb-string drone, played in a style similar to downstroking clawhammer, which Conway and Odell call the oldest style used by both Black and white players. The banjo and the African American "knocking-on" or "thumping" playing style began to take hold among white players by the 1830s, and the fretless, short-drone-string banjo with its thumping downstroke style, special tunings and repertory of lyric songs survived among both white and Black southerners.
- Quote
Many are still unaware that Africans brought the gourd ancestor of the banjo with them, in their minds and sometimes in their hands, to the New World in the seventeenth century. ... The fretless, short-drone-string banjo with its “thumping,” downstroke playing style, its special tunings, and its repertory of lyric banjo songs, can still be found among both Southern Whites and Blacks. ... Early accounts show Blacks sang lyric improvisatory songs and played for dances on a three- or four-string gourd banjar covered with a skin head, and strung with horsehair, hemp, or catgut. It had a short thumb-string drone and was played in a style similar to downstroking “clawhammer”—the oldest style used by both Whites and Blacks. ... The banjo and the African American “knocking-on” or “thumping” playing style began to take hold among Whites by the 1830s.
- Quote language
- en
- Locator
- page: 1-2
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