CITATION — REFERENCE ENTRY
early-history · adams-place2013-classic-banjo
- Citation
- adams-place2013-classic-banjo
- Claim ID
- early-history
- Assertion
- The banjo has West African heritage and developed in the 17th-century Caribbean, where enslaved Africans created a plucked string instrument based on African traditions with some European features. The best-documented early form had a neck running through a gourd body covered with animal hide and four strings, three long and one short thumb string. The banjo is documented in North America as early as 1736 in New York City, and its popularization in blackface minstrelsy is largely attributed to Joel Walker Sweeney, who performed with it publicly from as early as 1836.
- Quote
Banjo history stretches across a complex international terrain. It spans the instrument's West African heritage and development in the 17th-century Caribbean basin ... They created a unique plucked stringed instrument based on one or more African traditions while incorporating some attributes of European instruments, such as flat fingerboards and tuning pegs. ... The most clearly documented form of the early banjo consisted of a neck crafted with a flat fingerboard that ran through the full length of a gourd (or sometimes calabash) body. The opened side of the gourd was covered with an animal hide sound table held in place with tacks. It had four strings—three long strings and a short thumb string ... As the banjo appeared in North America—documented as early as 1736 in New York City ... The banjo's popularization in blackface minstrelsy is largely attributed to Joel Walker Sweeney (1810–60), who began publicly performing with the banjo as early as 1836
- Quote language
- en
- Locator
- page: 9-12
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